[I'm imagining a Saturday night live skit that is a cross between the Chris Farley Show and the Cowbell skit.]
And now, we go behind the scenes into the recording studio:
Stills: Hey guys, remember when we did that one song? Suite: Judy Blue Eyes?
Crosby: Um, sure, Stephe. We remember that.
Nash: Sure do.
Stills: That was awesome! And quit calling me Stephe.
Crosby: Sorry, Stephe.
Stills: Remember how, at the end, we did that groovy shit with all the doot-doot's? And I sang Spanish, but, nobody could understand what I was saying.
Nash: Yeah. That was great.
[Enter Neil Young on his crazy horse. They all break to get stoned. Young rides off.]
Stills: Anyway, I've been thinking. I've been working on this song. It's basically about how it's ok to get laid while we're on tour. It seems incomplete. Let me play it for you. [Plays Love the One You're With without the famed doot-doots].
Crosby: It's good, it's definitely getting there.
Nash: I think I know what you were getting at with the Suite: Judy Blue Eyes question. Love the One You're With is good, but that shit needs some doot-doots.
Crosby: Yeah. I gotta have more doot-doot.
Stills: Yeah, but where?
[He begins to play the song again. Neil Young rides up on his horse again. As the he gets nearer, the horse clomps the rhythm of the doot-doots after the second refrain. Crosby and Nash hear it and immediately know that's it. They jump in to sing the second round of doot-doots to end the song. Fade to black.]
[He begins to play the song again. Neil Young rides up on his horse again. As the he gets nearer, the horse clomps the rhythm of the doot-doots after the second refrain. Crosby and Nash hear it and immediately know that's it. They jump in to sing the second round of doot-doots to end the song. Fade to black.]
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